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Bobby McFerrin
Bobby McFerrin is one of the natural wonders of the music world. A 10-time Grammy Award winner, he is one of the world's best-known vocal innovators and improvisers, a world-renowned classical conductor, the creator of one of the most popular songs of the late 20th century, and a passionate spokesman for music education. His recordings have sold more than 20 million copies, and his collaborations with such diverse artists as Chick Corea, the Vienna Philharmonic and Herbie Hancock have established him as an ambassador of both the classical and jazz worlds.
With a four-octave range and a vast array of vocal techniques, McFerrin is no mere singer; he is one of music's true Renaissance men, a vocal explorer who has combined jazz, folk and a multitude of world music influences—choral, a cappella, and classical music—with his own ingredients. In recent years, he has combined his love of improvisation with his conducting skills, extending his vocal journeys to larger groups of singers—whether trained or not. McFerrin's solo concerts have always included audience participation; McFerrin sees them not as 'singalongs' but as a genuine collaborative process of making music in the moment.
McFerrin's reach extends well beyond musical circles: he's worked with actor Jack Nicholson, comedians Robin Williams and Billy Crystal, the Muppets and audiences around the world.
McFerrin was born to opera singer parents in New York in 1950, where his father, Robert McFerrin Sr., was the first African-American male soloist at the Metropolitan Opera. His family moved to Hollywood in 1958 when McFerrin Sr. was hired to be the singing voice for Sidney Poitier in the movie Porgy and Bess. McFerrin's first love was the clarinet, but he switched to the piano when his braces forced him to abandon it. As a teen, he also aspired to be a priest, but that too was shelved when he could no longer deny that music was in his blood. McFerrin went on to form the Bobby Mack Quartet in high school followed by a cross-country tour with the Ice Follies and a stint as a pianist in a lounge band.
In 1977, McFerrin decided to test his skill as a vocalist, and in 1978 he started singing with the group Astral Project in New Orleans. He also toured with legendary jazz vocal pioneer Jon Hendricks and met jazz vocalist turned music entrepreneur Linda Goldstein, who has been his manager and often producer since 1979. Inspired by the completely improvised solo concerts of pianist Keith Jarrett, McFerrin and Goldstein conspired to develop McFerrin's innovative career as a solo vocalist. This was a considerable challenge since it went against conventional career-building wisdom in the music world.
Bill Cosby arranged for his 1980 performance at the Playboy Jazz Festival, and a year later McFerrin made a triumphant appearance at the Kool Jazz Festival in New York. Shortly after that, McFerrin released his first album while working toward his goal of wholly improvised solo concerts. In 1983, he did his first tour of Europe as an unaccompanied vocalist, performing without any prepared material. Audiences were bewildered at first, and then blown away. Tapes of those concerts were made into the album The Voice, a landmark recording that served notice of the arrival of a major musical talent the German critics called “stimmwunder,” which means “wonder voice.”
Throughout the 1980s, McFerrin continued to develop his amazing solo improvisations and audience interactions. With a comedian's sense of timing, an unrestrained zany streak, and an infectious love of every genre of music, McFerrin created a new kind of concert—not just a performance but a communal sharing and celebration of music. At the same time, he began a wide range of collaborations, winning his first Grammy Award in 1985 for “Another Night in Tunisia” with the Manhattan Transfer. Further Grammy awards came for Bernard Tavernier's “Round Midnight” (1986) and “How the Rhinoceros Got His Skin” with Jack Nicholson in 1987. By 1988, McFerrin had taken his unaccompanied improvisations from the Hollywood Bowl to Carnegie Hall, and to the premiere concert halls of Europe and Asia, thus solidifying his reputation as a musical phenomenon. He then released the album Simple Pleasures, which was his homage to the music of the 1960s. A joyous ditty created on the spot in the recording studio became the phenomenal hit “Don't Worry, Be Happy.” Simple Pleasures was nominated for a 1988 Grammy Award for album of the year, while “Don't Worry, Be Happy” won both the Record of the Year and the coveted Song of the Year awards. It might just as well have been named Song of the Decade, as “Don't Worry, Be Happy” hit the #1 spot on pop charts in nearly every country in the world.
In the midst of his burgeoning pop music career based on solo vocal experimentations, McFerrin seemed to suddenly switch gears. Instead of seizing upon the deluge of offers for concerts and events brought on by his sudden popularity, he decided to take a sabbatical and to begin a serious study of conducting, including lessons with Leonard Bernstein, Gustav Meier, and Seiji Ozawa. The enthusiasm, infectious joy, and virtuosity that characterize his solo performances have made McFerrin a successful communicator in the classical music world as well. In 1990, on his 40th birthday, McFerrin was given the opportunity to conduct the San Francisco Symphony Orchestra. He then recorded “Hush,” with friend and famed cellist Yo-Yo Ma, which stayed on the Billboard classical charts for more than two years, and eventually went gold. By 1994, McFerrin had been named creative director of the St. Paul Chamber Orchestra, and released the album Paper Music, the critically acclaimed collection of classics that marked his first recording as a conductor.
McFerrin maintains a dual career as a conductor and a solo performer, and continues to bring music to children, whether in his own improvised concerts or in special orchestral programs. In spite of all this activity, however, his greatest ambition is to spend as much time as possible at home with his wife of 25 years, Debbie, and their three children. |
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